Paisley Bikini

A good swimsuit can be hard to find. There are lots of reasons for this. A big one is that swimsuits don't give designers all that much room to manoeuvre. After all, the number of shapes and the type of fabric are fairly limited. With the exception of color and pattern, most swimsuits look pretty similar.

Then there's the issue of figure flattery. Of course you want something that's going to do what it can to distract from the parts of your body that aren't quite how you'd like them. My personal belief is that a bathing suit's ability to do this is entirely minimal. Sure, a large bust needs support and the rule that dark colors are minimizing still applies, but you're basically wearing 2 ounces of fabric. Ninety-five percent of your body is completely exposed and the rest is encased in the thinnest layer of spandex. You can run but you can't hide (besides, running and cellulite jiggle do not a happy combination make).

For these reasons, I absolutely cannot fathom spending a lot of money on a swimsuit. I usually buy them off-season and stash them until I'm next on a sunny beach. I look for styles that are going to be supportive and not dig in at any awkward places, but beyond that, I don't fret much about the cut of the suit. The biggest factor I look for is an interesting pattern or color. For a few years now, I've been buying bikini tops and bottoms at different times and from different places, and have had fun mixing and matching them. I gravitate towards the same colors and patterns as I would in other clothing - nothing garish and nothing completely plain (the all-black swimsuit is dull, dull, dull).

I really like this bikini from the November Harper's Bazaar:



The paisley is playful yet classic. The colors warm but subdued. And I like the subtle cross-over detailing on the top, too. The price is reasonable enough to consider buying even before it goes on sale.

Nighty Night

With the slight exception of Elle, this month so far the fashion magazines have been a complete wash-out in terms of inspiring images. Lucky, Marie Claire, Fashion and even Vogue have all been unbelievably slim pickings. I'm keeping my fingers crossed for Harper's Bazaar, which should be arriving any day now.

In the meantime, I've been looking at some of the photos from the past couple of months and found two that I haven't yet shared but which continue to impress. Both show loungewear, both are delicate and feminine, but one skews sexy and the other more cozy.



I'm loving cream and black as a color combination right now. So much more old-world than black and white, almost as though it has been faded by time but still with a crispness and a unisex appeal. The colors must be the only gender-neutral aspect of this negligee though. Everything else is so demurely sultry: the dress-like cut, the silk, ribbons and lace, the body-shaping underwire.

Still sexy, but more in a girl-next door vein, is this set:



Of course, it's made of cashmere, so it's soft as opposed to scratchy. I'm thrilled by the lavender color, which seems to have fallen from favor in recent seasons. I love the casually elegant shape of the top, which is loose but not shapeless, with flowing, on-trend sleeves. I'm also a big fan of the pointelle lace-inspired knit pattern on the panties.

It can be hard to justify investing in beautiful loungewear when there are so many gorgeous pieces of clothing that one can actually leave the house wearing. But then again, maybe true style is about what you wear (and do) even when no one's watching.

First image from Harper's Bazaar, October '07. Chemise by Guia La Bruna. Second image from Elle, October '07. Sleepwear by Huit.

Prada Prints

Ignore the scowls on the models' faces and focus on the prints. Aren't they charming? It's been a while since we saw these kinds of florals: large-scale flowers, more realistically rendered than stylized, spread out widely across the fabric, leaving plenty of background for breathing space. The colors are fabulous, too. Rich plums, midnight blues and butter yellows instead of the girlish pastel pinks or garish cherry reds that one frequenly encounters with florals. It's also refreshing to see a variety of less commonly depicted flowers like fully blown poppies and mini carnations (or are they asters?) as a variation on the usual theme of roses, roses, roses. Here's hoping that Prada sparks a trend and that we see more of this kind of gutsy patterned fabric showing up on clothes in the next few seasons.

Images from Elle, November '07.

A Styling Trick to Remember

I came across an idea I read in the October issue of Elle (which they've in turn borrowed from Marilyn Monroe) and unless I log it here, I'm afraid I'll forget it. It's for styling a cashmere cardigan: wearing it with just the top two buttons undone and without a blouse or cami underneath. I get so used to thinking of a cardigan as a jacket-y layer that it never crosses my mind to wear it as an incredibly soft, sensual, stand-alone shirt. I think this styling trick would be particularly fabulous for a casual evening out.

Minaudiere Magic

Most of the minaudieres out there just don't do it for me. They're too fussy, too flashy. This one's a stunner with a timeless quality and a traditional luxury that it would take a long time to tire of. Despite the fact that minaudieres are impractically tiny and rigid, sometimes their formal precision really is called for in place of a softer evening clutch.

The intricately molded metal on this piece reminds me of my favorite pieces of gold jewelry and I think it would pair beautifully with any carefully-worked gold jewelry. The black lining melts into the shadows and keeps the piece versatile enough for a range of color schemes.

Minaudiere by Yves St. Laurent. Image from Harper's Bazaar, October '07.

Perfect Restraint

As you can see, in this case, less is definitely more. The skirt and top seem to be the epitome of simplicity, but the effect is breathtaking and the look utterly classic. Let's begin with the fineness of the knit and the gorgeous drape of the skirt. It's neither voluminous, nor clingy, and projects complete ease, while suggesting the lines of the body. The knit detailing at the collar and sleeve cuffs is feminine without being frilly, womanly as opposed to girlish. Again, the long short sleeves and shawl neckline were born to flatter. The simple diamond studs are the perfect counterpart to the clothing: when something is so perfect, it doesn't need embellishment.

I wonder if this kind of matched knit skirt and top could usually be worn in place of a suit. Admittedly, the soft lines of knit fabric are instantly more casual, but the conservative silhouette and neutral matched color of top and skirt gesture in the direction of suiting. The look is quiet, polished and pulled-together, but with a gentle confidence that would only perhaps be out of place in the most formal and aggressive environment.

Image from Vogue, October '07.

Feminine Winter Layers

These outfits, in an ad campaign for Italian design, totally blow me away. I've been trying to figure out how I want to incorporate more comfortable yet put-together, pale and feminine skirts and dresses into my day wardrobe this season, while layering enough to keep warm. These two images offer some solid ideas that I plan to steal.

First of all, notice that they both employ the 'skirt-over-a-skirt' trend that I noticed early last season and which, I'm surprised to say, I have not yet heard mentioned by a single fashion editor. I'm still loving the look. In both these outfits, the underskirt has a full shape and is made from a textured, solid-colored fabric that has a slight rigidity to it. On top of it, both models are wearing sweater-dresses that are similarly full on the bottom, with gathered waists and fitted bodices. The colors are also kept in the same family.

I like what's going on with hosiery and shoes in the second image as well. Let's leave aside the inherent goodness of the shoes, which are an interesting departure from the ubiquitous plain ballet flat and which, from the red soles, seem to be Louboutins. I love the idea of the lace-pattered knee highs but because knee highs carry a very young connotation, I would probably swap them out for thigh-highs or over-knees. I also like the way the color of the shoes repeat the color of the dress, but that of the socks offers some contrast, while staying in the same family. It keeps the look from seeming too deliberately matched, but keeps the colors quiet.

All in all, an excellent lesson in feminine winter layering.

Clothes by Romeo Gigli for Rebecca Brown. Images from Harper's Bazaar, October '07.